We collaborated with Stouls, the Paris-based luxury leather brand known for its innovative use of exotic and rare skins in high-end ready-to-wear, to create a collection that brought marquetry and leather into direct conversation. We developed a series of hexagonal geometric patterns drawn from our design vocabulary and applied them directly onto Stouls' signature leather surfaces, treating leather as we might treat wood: as a material to be decorated through precision and repetition. The result was a collection in which the geometry of Arab craft became a formal language equally at home on a leather surface as on a wooden one.

For the third consecutive year, we were named in AD Middle East's AD100 list, Architectural Digest's annual ranking of the most influential and respected designers in architecture, interiors, and product design across the Middle East. The recognition placed us among the designers most consistently shaping the visual and cultural identity of the region, and was a reflection of ongoing work that spans collectible furniture, interior projects, and craft-led collaborations. Being recognised three years in a row felt less like an award and more like an acknowledgement of a sustained commitment to the field.

For the third consecutive year, we were named among AD100's Best Designers in the Middle East and North Africa, the annual Architectural Digest ranking celebrating the most influential voices in design across the region. The recognition spans architecture, interior design, and product design, and has become one of the most closely watched lists in the regional design industry. Three consecutive years on the list reflected a sustained body of work rather than a single project, which is the kind of recognition that means most to us.